Johann Sebastian Bach was not only a virtuoso organist, but also a brilliant harpsichordist, who called several harpsichords and Clavichords his own. The young Belgian virtuoso Ewald Demeyere here takes on some early harpsichord works of Bach, where an expressive virtuosity is all together. No wonder, Bach is in these works the North German "Stylus phantasticus" committed. This style maintains the composer as a young Wilder not only extensively but also enjoys unmistakably to his own virtuosity.
1 Fantasia and Fugue, for Keyboard in a Minor, BWV 904 (BC L136): Fantasia
2 Fantasia and Fugue, for Keyboard in a Minor, BWV 904 (BC L136): Fugue
3 Suite for Keyboard in a Major, BWV 832 (BC L174): Allemande
4 Suite for Keyboard in a Major, BWV 832 (BC L174): Air Pour Les Trompettes
5 Suite for Keyboard in a Major, BWV 832 (BC L174): Sarabande
6 Suite for Keyboard in a Major, BWV 832 (BC L174): Bourrée
7 Suite for Keyboard in a Major, BWV 832 (BC L174): Gigue
8 Prelude (Fantasia), for Keyboard in a Minor, BWV 922 (BC L141)
9 Concerto for Solo Keyboard No. 2 in G Major (After Vivaldi Op. 7/2, RV 299), BWV 973 (BC L191): - (Unspecified)
10 Concerto for Solo Keyboard No. 2 in G Major (After Vivaldi Op. 7/2, RV 299), BWV 973 (BC L191): Largo
11 Concerto for Solo Keyboard No. 2 in G Major (After Vivaldi Op. 7/2, RV 299), BWV 973 (BC L191): Allegro
12 Fantasia and Fughetta, for Keyboard in B Flat Major (By Gottfried Kirchhoff, Not JSB), BWV 907: Fantasia
13 Fantasia and Fughetta, for Keyboard in B Flat Major (By Gottfried Kirchhoff, Not JSB), BWV 907: Fughetta
14 Prelude and Fugue, for Keyboard in a Minor, BWV 894 (BC L130): Praeludium
15 Prelude and Fugue, for Keyboard in a Minor, BWV 894 (BC L130): Fuge
16 Toccata for Keyboard in E minor, BWV 914 (BC L145, 163)
17 Fantasia and Fughetta, for Keyboard in D Major (By Gottfried Kirchhoff, Not JSB), BWV908: Fantasia
18 Fantasia and Fughetta, for Keyboard in D Major (By Gottfried Kirchhoff, Not JSB), BWV908: Fughetta
19 Fantasia for Keyboard in G minor, BWV 917 (BC L140)
20 Capriccio Sopra la Lotananza Del Suo Fratello Dilettissimo, for Keyboard in B Flat Major, BWV 992 (BC L181): Arioso. Adagio. the Plea
21 Capriccio Sopra la Lotananza Del Suo Fratello Dilettissimo, for Keyboard in B Flat Major, BWV 992 (BC L181): Imagining Various Calami
22 Capriccio Sopra la Lotananza Del Suo Fratello Dilettissimo, for Keyboard in B Flat Major, BWV 992 (BC L181): Adagiosissimo. a Univers
23 Capriccio Sopra la Lotananza Del Suo Fratello Dilettissimo, for Keyboard in B Flat Major, BWV 992 (BC L181): All His Friends Arrive T
24 Capriccio Sopra la Lotananza Del Suo Fratello Dilettissimo, for Keyboard in B Flat Major, BWV 992 (BC L181): The Postillion's Aria
25 Capriccio Sopra la Lotananza Del Suo Fratello Dilettissimo, for Keyboard in B Flat Major, BWV 992 (BC L181): Fugue in Imitation of TH
Johann Sebastian Bach was not only a virtuoso organist, but also a brilliant harpsichordist, who called several harpsichords and Clavichords his own. The young Belgian virtuoso Ewald Demeyere here takes on some early harpsichord works of Bach, where an expressive virtuosity is all together. No wonder, Bach is in these works the North German "Stylus phantasticus" committed. This style maintains the composer as a young Wilder not only extensively but also enjoys unmistakably to his own virtuosity.
